Sometimes We Think From Our Stomach Too

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All of us are translators. We invariably translate our thoughts into a language of our choice for we think only in the language of silence. Language, be it a sign language or spoken or written language, serves as a vehicle for our thought. There are different ways of translating our thoughts into words for we not only think from the brain, but also from the heart. Sometimes we think from our stomach too.

Carl Jung, an eminent disciple of Sigmund Freud, once was sent to East Africa to speak to a select audience on the importance of thinking. He knew no Swahilis language and the audience’s knowledge of German was next to nothing. A translator came to his rescue and with great confidence of reaching his message to the audience, Jung began. “We must think… We must think… We must think…” said he, slapping his forehead incessantly every time he uttered those three words just for the sake of driving home his point.

Now it was the translator’s turn. He repeated Jung’s words in Swahilis but shifted the target of slapping to his stomach. Jung was taken aback. He looked daggers at the translator for misrepresenting his idea. But the sensible translator replied, “Sir! We the poor surely think from our stomach and not from our head as you do.” This anecdote is ample proof to the fact that the mind does not operate from one station. Needless to say that when we decide to do good to the needy on compassionate grounds, we think from our heart. The head, the heart, the stomach and only the Great Creator knows from what other parts of our body we think.

Man, the thinking animal/reed, has to think differently perhaps to escape from life’s monotony. Judas Iscariot betrayed Jesus Christ for just 30 silver pieces when he thought from his stomach. But when he thought from his heart, he felt that he had committed a grave sin, for which salvation was impossible. And when he thought from his head about the next step he had to take, he hanged himself. Why didn’t Iscariot stick to his stand? That is because his mind had shifted places.

Hence translation of any work very much depends on the mind of the translator, no matter wherefrom the original author’s mind operated.

Translating has few rules. Arthur Waley, the British Sinologist and translator from Chinese and Japanese, justified the freedom of certain of his translations on the grounds that “much is lost in the translation of any complex literary work, and something must therefore be added to replace it”.

Yet ‘replacing’ can’t be done in the following manner. A public speaker once addressed an audience comprising of common men who couldn’t follow the speaker’s idiomatic language. One in the audience offered to translate the speaker’s words into their dialect. He was able to do justice. But at one point of his speech the speaker told the translator to listen to his jovial anecdote before he continued with his translation. The speaker stopped after ten minutes and with a wave of his hand signaled to the translator to continue.

The translator in a few seconds made the audience rollick with laughter. The main speaker stood stunned. He asked the translator how he managed to tell the joke in a few seconds for which he took more than ten minutes. “That, sir,” replied the translator, “I told my people that the speaker had cracked a joke. So please laugh.” Such a ‘replacing’ would only make the readers laugh at and not laugh with.

Literal translation from one of our regional languages into English is a common feature today. Everybody wants to translate and translation is no way inferior to creative writing. Since literal translation doesn’t always work well, adaptation rather than translation is a better term to use when we shift from one language to another, especially when we wrestle with poetry.

No literary translation will ever satisfy those intimate with the original. Illumination and joy cry out to be shared with those who do not have access to the primary text. And the readers too must experience this wealth of argument and imagining.

There are scarcely any rules about translation that everyone accepts. What can be said is that, in the light of certain principles, certain inquiries seem valid. “Translators,” soon discover that all vocabulary is technical and that languages are codes of cultural signs which, for convenience rather than from conviction, we pretend have equivalents in other codes. This may be why the job quickly becomes not just a word-hunt, but research.” What James Grieve said long ago holds true today too.

About the author: P. Raja

P.Raja (October 07, 1952) a son of this divine soil, Pondicherry, India famed for its spiritual heritage, writes in his chosen language, English, and also in his mother tongue, Tamil. More than 5000 of his works – poems, short stories, interviews, articles, book reviews, plays, skits, features and novellas – have seen the light through newspapers and magazines that number to 350 in both India and elsewhere. He has 30 books for adults and 8 books for children in English and 14 books in Tamil. Apart from contributing special articles to Encyclopedia of Post-Colonial Literature in English (London), Encyclopedia of Tamil Literature in English, and to several other edited volumes, he has also written scripts for Television (Delhi). He broadcasts his short stories and poems from All India Radio, Pondicherry. He was General Council Member of Central Sahitya Akademi, New Delhi (English Advisory Board - 2008-2012) representing the Pondicherry University. He is Editor of TRANSFIRE, a literary quarterly devoted to translations from various languages into English. His website: www.professorraja.comAuthor can be reached at [email protected]

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